
Sometimes a gap in our knowledge of the past is sitting right in front of us, waiting to be recognised. In the Cova de la Font Major in Catalonia, Spain, visitors spent decades passing ancient engravings without recognising their Palaeolithic origin. Some even added their own names and dates over them. A cave that became a tourist attraction in 1993 has now emerged as an important repository of Ice Age artistic expression — another contribution to the long human history that young-Earth creationism attempts to squeeze into a few thousand years.
A study published in Antiquity by Josep Maria Vergès Bosch and Míriam Salas-Altès describes 280 graphic motifs, including 55 animal figures, first recognised as a Palaeolithic assemblage in 2019. Horses, deer, bovids, caprines and a bear feature alongside non-figurative markings. The discovery challenges the apparent scarcity of Palaeolithic cave art in north-eastern Iberia and adds to the evidence for a distinctive Mediterranean artistic tradition.
The chronology deserves precision. These are not 280 engravings each supplied with its own radiometric date. Their attribution rests on archaeological context and comparisons with established artistic conventions. Radiocarbon evidence places episodes of human activity in the deeper cave between approximately 40,000 and 26,000 years ago, while features of some animal figures support a pre-Magdalenian attribution. Those contextual dates should not be mistaken for direct measurements of when individual images were made. Dating calcite covering one animal figure is a prospect for future research.



































