
A typical ‘souvenir’ of an exposition with presiding clergy (1608), one of several made between 1578 and 1750.
The Trustees of the British Museum.
News that Pope Francis is to make a pilgrimage to Turin Cathedral to venerate the Shroud of Turin, despite it now being regarded only by the most die-hard supporters as anything other than a fairly crude 14th Century painting on linen made from flax which grew in the 14th Century, shows that the 'reforming' Pope, whom many people thought was going to modernise the Catholic Church and introduce a modicum of honesty into its teachings and dealings with people, is still happy to follow his predecessors and mislead the credulous and gullible with forgeries and deliberate deceptions.
The Pope's announcement came only a few days after the publication in History Today of a slamming refutation of the Shroud's authenticity by a British historian. I've written before about this forgery here and here so it's pleasing to read this exposé by historian and writer, Charles Freeman, who, in this article destroys any remaining vestige of arguments for the shroud's authenticity and offers a possible explanation for its existence. An intent to deceive may well not have been the motive of the 'artist' who created it. That came later probably from the Savoy family who bought it and, of course, was adopted later by the Catholic Church in its constant search for the means to fool gullible people and keep them giving the clergy power, money and privileges.