If it wasn't for the Catholic authorities, with the Pope's cooperation and approval, refusing to accept that what they have on display in Turin Cathedral is not the authentic shroud that Jesus was allegedly wrapped in but a Medieval artefact, possibly a deliberate forgery as this recent paper suggests or a prop used in Early Medieval Passion plays as British historian Charles Freeman convincingly argued, it would have been put into a museum drawer labelled Medieval European Religious Artefacts years ago.
And all this despite Catholic Bishop Pierre d’Arcis writing to Pope Pope Clement VII in 1390 to tell him that the 'shroud' was a forgery.
[The Shroud is] a clever sleight of hand [by someone] falsely declaring this was the actual shroud in which Jesus was enfolded in the tomb to attract the multitude so that money might cunningly be wrung from them.
Bishop Pierre d’Arcis,
Letter to Pope Clement VII, 1390
Letter to Pope Clement VII, 1390
In fact, this discovery is not itself particularly new, being presented at the 66th Annual Scientific Meeting of the American Academy of Forensic Sciences, February 17‐22, 2014, in Seattle, WA, USA and again at the 67th Annual Scientific Meeting of the American Academy of Forensic Sciences, February 16‐21, 2015, in Orlando, FL, USA. However, it appeared in print for the first time here. Regretably, all but the abstract is behind a paywall: