The Slavs in their Original Homeland
Alphons Mucha (1912)
Excavation in 2020 at the pre-Slavic cemetery of Brücken, Mansfeld-Südharz District (Saxony-Anhalt).
© Landesamt für Denkmalpflege und Archäologie Sachsen-Anhalt
How the Slavic migration reshaped Central and Eastern Europe
This blog post is something of a departure from my usual refutations of creationism. At times, that exercise can feel like shooting fish in a barrel, since almost every scientific paper on palaeontology, cosmology, or evolutionary biology casually refutes creationism simply by presenting the facts and evidence—something creationism singularly lacks.
This, however, is only tangentially related to creationism, in that it concerns the diversification of humans into distinct regional cultural and genetic populations. That richness and complexity is utterly incompatible with the notion that all of humanity radiated out from a single founder population of eight related individuals in the Middle East.
Instead, it is about the genetic evidence for the origins of the Slavic peoples, for whom I feel a special affinity. My youngest son is married to a Slav woman from Czechia and now lives and works there. Former Czechoslovakia also played a formative role in my political development during the 1960s, when the Prague Spring gave those of us on the left hope for a form of socialism that was democratic, open, and inclusive — rather than the totalitarian system into which Soviet Communism had degenerated. The self-sacrifice of the young idealists Jan Palach and Jan Zajíc, in response to the Soviet-led invasion that suppressed the reforms, was a profound inspiration —
about which I wrote after a visit to Prague in December 2011, when a visit to their memorial in Wenceslaus Square, on the site of their self-immolation, reduced me to tears.
Since then, we have returned to Czechia several times. On our most recent trip in the summer of 2024, we visited the museum in the Moravský Krumlov castle near Brno, which currently houses a series of immense
art nouveau paintings by the Czech artist Alphons Maria Mucha—perhaps better known in the West for his commercial
art nouveau designs for chocolate boxes, biscuit tins, and soap packages that epitomised the 1920s and 30s. The series — a Czech national treasure
I described at length soon after our return — titled
The Epic of the Slavs, was pained between 1912 and 1926. It depicts the story of the Slavic peoples’ development in Eastern Europe up to the mid-1920s: a people struggling to forge an identity under political pressure from surrounding religious powers, from Eastern Orthodoxy in the south and east, to Catholicism in the west, followed later by German Protestantism. Like the Irish, the Czech people’s identity was forged in this power struggle, eventually emerging as proud and independent. Today, Czechia is one of the most atheist countries in Europe.
This article, however, is about the deeper origins of the Slavic peoples, as described in
a recent open-access paper in Nature by an international team of researchers led by Joscha Gretzinger of the Department of Archaeogenetics, Max Planck Institute for Evolutionary Anthropology, Leipzig.